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As he pulls them half-way up, a phone booth from the street below shoots up into his apartment, with what appears to be his partner of choice. The crumbling walls and ceiling were animated and then enhanced with several passes of CG cement dust, chunks of concrete and crumbling particles. He finishes buttoning his fly, walking away with his partner into the night. As no street scene was shot for this, Asylum FX had to utilize what they could from the following mid shot of the hero emerging from the dust. The taxi cab scene was broken down into 3 sections.

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The team then added the traffic, pedestrians, background lights and again, more dust passes to bring this matte painting to life.

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Green screen was positioned outside each window, allowing us to add the city skyline and animate the rising up of the buildings at the compositing stage, as well as tracking in skylines and adding reflections back into the windows of various scenes. Submit work. This allowed us to bring it through with some force, creating an explosive effect with floor tiles and dust flying everywhere. A global effort designed to influence, affect and involve creative communities in the development of a world standard for inspiration, particularly in the fields of advertising, design and film.

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As no street scene was shot for this, Asylum FX had to utilize what they could from the following mid shot of the hero emerging from the dust.

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